Editing / Manuscript Services . . .
Why has your manuscript edited?
"But I reread that manuscript umpteen times ... how could I have missed it?" We writers have all uttered that phrase at one time or another. Still, missing words and transposed letters do slip through the process, ending up as glaring errors on the published page. Blame it on the human brain (or your spell-checker). As you read and reread your all-too-familiar manuscript, your mind subtly corrects missing letters and words and your writing looks fine. Fine, that is, until you see it in print.
A fresh pair of eyes, an outsider, can pick up bad habits you've never noticed, errors in your all-too-familiar manuscript that you've overlooked. And that's okay ... the writer’s job is to write. Leave the style and function rules to an experienced editor who understands the different standards required by newspaper, magazine and book publishers. Why have your manuscript edited? To correct errors before you invest in printing, of course.
Understanding today's publishers and editing
You polish off your manuscript, mail it to a specific editor of a large publishing house, and anticipate working with your very own editor prior to getting published. The writing-publishing business has changed. Editors no longer have the time needed to serve as your mentor on the road to a published work. As large conglomerates gobble up smaller publishing houses, there are fewer and fewer editors available to read more and more manuscripts. Study the market listings and you'll soon note that most publishers require you to submit through an agent.
So, you spend the next year trying to meet with an agent who has ties to the type of publisher you seek. When you finally find one that will talk to you, he/she tells you this: "Hire an independent editor to read your work for errors, style, grammar, story flow, and sentence structure before you submit it to me." Like publisher's editors, most agents do not mentor writers, either. They want to represent authors who present a clean manuscript—one that will not require much, if any, rewriting—and they'll want to look it over before agreeing to represent you. I can help you make it agent-ready.
The importance of analysis and critique
Your manuscript—whether fiction or nonfiction book, short story or magazine article—is done. Your friends and relatives have read it and tell you it's wonderful. Your Grandma thinks it's grand, or your kids "just love it." Unless they are bonafide editors looking for a manuscript to purchase that is likely to earn a profit for their publishing company, chances are they didn't take note of its strengths and weaknesses—like plot, character development, construction slip-ups, incorrect word usage, grammar errors, proper paragraphing, shifting points of view and typos. An editor would notice these flaws.
Publishing house editors rarely read past the first paragraph of your manuscript before rejecting it. Consider yourself extremely lucky if your photocopied rejection slip has a line scribbled at the bottom that indicates why they didn't want it. If you plan to self-publish and market your writing, a professional analysis and critique, along with proofreading and a line-edit, is especially important and can alleviate probable frustration and expense in your quest for a quality, marketable product (not to mention what you might learn about writing).
How much will it cost?
Editing fees depend on what your project is, its length, structure suggestions, error potential and so forth. Because manuscripts can differ a great deal from one to another, each job estimate is separately made, based on an initial sample-edit.
My rate is $30 per hour—that usually averages $1.50 to $3 per page. I'll do a sample edit of 30 double-spaced pages for $50, or a FREE SAMPLE EDIT of (1) up to five pages for a book-length manuscript, or (2) for articles and manuscripts less than 10,000 words, number of pages are negotiable, depending on length. CONTACT Heidi for editing information.
What my clients are saying
"I have worked with Heidi and been well-pleased with her work." – Lori Copeland, Now and Always, Twice Loved: Belles of Timber Creek series.
"Heidi Thomas's superb editing allowed me to submit my novel to publishers with the confidence and assurance that my manuscript was the best it could be. Besides thorough editing, Heidi provided insightful analysis on pacing, character development and point-of-view issues. I greatly appreciated Heidi's professionalism and technical expertise. –Mary E. Trimble, author of Tubob, Tenderfoot, Rosemount and McClellan's Bluff.
“Heidi Thomas is a caring person; she encourages your talent and helps build your strengths with her honesty in editing what you present in a professional way. While she thumps your intellect, she makes the effort to salvage your ego. I wouldn’t trade her for any other two editors I’ve met.” –R.E. Smith, A Sweeter Understanding and The Window Ledge
“Heidi is generous with information and suggestions to help other writers be their best. Her editing skills showed me how to apply the theories of strong writing to make my own plots, characters and narrative descriptions more consistent and compelling. She has helped me improve my grammar, develop deeper characterizations, and connect my subplots. I treasure her help and alliance. –Jennifer Wilke, The Color of Prayer.
"Heidi Thomas provided me with essential editing services in the writing/publishing of my first historical novel, Our Time in the Sun. In researching Ms. Thomas, I found she possessed the educational background I was looking for as well as 20 years of experience. She provided me with a very honest critique/editing of my novel while maintaining a very positive view of my writing and story line. As a consequence of her diligent editing on my behalf, I was able to revise my manuscript into a significantly better story of the Arizona Rangers. I highly recommend Ms. Thomas as an editor without any reservations, and I plan to use her editing services again soon for my second novel." –John McLaughlin, Our Time in the Sun.
"It was a pleasure working with Heidi. Her insightful suggestions and eye for detail helped me turn Debt is Slavery from “just another manuscript” into a polished book. –Michael Mihalik, Debt is Slavery: and 9 Other Things I Wish My Dad Had Taught Me About Money
"Heidi Thomas runs a tight ship, but she does make the cage big enough to let a creative author fly on his/her own. –Larry Partridge, Flying Tigers over Cambodia and Kindred Souls.